When you first start Buzz, you'll see a mostly blank screen with a box in the center that says "Master." This is the machine view. From this view you can add, connect, edit, disconnect, and delete machines from your song. A "machine" can be many things: an instrument, an effect, an input, an output. The point is, Buzz works entirely on the metaphor of creating and connecting machines. When those machines connect to the Master machine, their output is sent to your speakers. So, at a minimum, to get any sound you need at least one instrument connected to the Master!
music
1. Requirements
So, you want to learn how to make music on your computer. It's easier than you think, but you'll need a few things to get started.
Before we begin, make sure you have the following:
Electronic Music Guide
This book provides a tutorial on creating electronic music using Jeskola Buzz (and possibly other programs.)
Potato Soup
Charles Blzejewski came through the door to his bedroom and found his guitar gone.
“Shit mom,” he said, walking into the kitchen, which smelled of cabbage and stale beer. “What did you do with my guitar?”
Gecko X Machina: 2
2 .== The Eternal Composition
Christian never slept. Rather, he suspected sleep never came for him. He used to remember drifting off, losing time, measuring how long he'd been out.
Since becoming a Composer, though, time seemed more flexible. Hours, days, weeks--he couldn't distinguish between then anymore. One Movement could take all day. Directing the Players, the Instruments, shaping the Melodies, carving out the Notes. Time gradually meant less and less to him, the longer he composed.
Christian never slept. Rather, he suspected sleep never came for him. He used to remember drifting off, losing time, measuring how long he'd been out.
Since becoming a Composer, though, time seemed more flexible. Hours, days, weeks--he couldn't distinguish between then anymore. One Movement could take all day. Directing the Players, the Instruments, shaping the Melodies, carving out the Notes. Time gradually meant less and less to him, the longer he composed.





